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ARRI SMB-1 Set of 5 Mattes & Protective Cover for 2:1 Anamorphic Sunshade

Set of 5x mattes with 2:1 ratio openings and 1x plain protective cover – to fit the 2:1 anamorphic sunshade.

ARRI Master Anamorphic Flare Set MA180

ARRI K2.0014729 (K20014729) Flare Set for the Master Anamorphic 180mm T2.8 Lens. Please Note: 50mm Flare Set shown for illustration purposes. 180mm Set supplied.
The ARRI MA180 Flare Set is a highly versatile and economical accessory for the ARRI/ZEISS Master Anamorphic 180/T2.8 Lens. Each of the nine Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
The front and rear glass elements that come with each flare set have a special lens coating that encourages flaring, ghosting and veiling glare. These image effects create a visual style that is consistent across all of the flare sets an can be controlled or tweaked via the iris setting, as well as the positioning of lighting fixtures. The front element can be used on its own, as can the rear, or they can…

ABOUT THE ARRI MA180 FLARE SET

Please Note: 50mm Flare Set shown for illustration purposes. 180mm Set supplied.

The ARRI MA180 Flare Set is a highly versatile and economical accessory for the ARRI/ZEISS Master Anamorphic 180/T2.8 Lens. Each of the nine Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.

The front and rear glass elements that come with each flare set have a special lens coating that encourages flaring, ghosting and veiling glare. These image effects create a visual style that is consistent across all of the flare sets an can be controlled or tweaked via the iris setting, as well as the positioning of lighting fixtures. The front element can be used on its own, as can the rear, or they can be used in combination; each permuation provides a distinct look without sacrificing the resolution, lack of distortion or corner-to-corner performance for which the Master Anamorphics are famous.

By using the dedicated ARRI Master Anamorphic Toolkit for the MA180, the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare element is pre-aligned in a metal frame.

ARRI Master Anamorphic Flare Set MA35

The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements with a special lens coating that encourages flaring, ghosting and veiling glare. The flare elements can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.

By using the ARRI Master Anamorphic Toolkit, the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare element is pre-aligned in a metal frame. A set of Master Anamorphics effectively becomes four different anamorphic lens sets, each suitable for different flaring requirements while maintaining the famously distortion-free optical performance.

Main Features

F2 Triple Filter Frame 4×5.65in, non-geard

The triple filter frames accommodate two or three filters in a single filter frame taking two regular matte box slots and prevent unwanted reflections between glass filter surfaces.

Although compatible with some legacy ARRI matte boxes, the triple filter frame achieves maximum benefits when used in combination with the tilting matte box SMB-2. Fits in a 2-stage slot of a filter stage.

F1 Triple Filter Frame 6.6×6.6in, non-geard

The triple filter frames accommodate two or three filters in a single filter frame taking two regular matte box slots and prevent unwanted reflections between glass filter surfaces.

Although compatible with some legacy ARRI matte boxes, the triple filter frame achieves maximum benefits when used in combination with the tilting matte box SMB-1. Fits in a 2-stage slot of a filter stage.

ALEXA LPL LF FSND 2.4

Key Features

The ARRI ALEXA LF 2.4 FSND Filter is a large-format, neutral density filter providing a 8-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

ALEXA LPL LF FSND 2.1

Key Features

The ARRI ALEXA LF 2.1 FSND Filter is a large-format, neutral density filter providing a 7-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

ALEXA LPL LF FSND 1.5

Key Features

The ARRI ALEXA LF 1.5 FSND Filter is a large-format, neutral density filter providing a 5-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

ALEXA LPL LF FSND 1.2

ARRI ALEXA LF FSND 1.2 Filter

The ARRI ALEXA LF 1.2 FSND Filter is a large-format, neutral density filter providing a 4-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

 

Compatible Camera

ALEXA LF

ALEXA LPL LF FSND 0.9

ARRI ALEXA LF FSND 0.9 Filter

The ARRI ALEXA LF 0.9 FSND Filter is a large-format, neutral density filter providing a 3-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

 

Compatible Camera

ALEXA LF

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